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by Desecravity

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Robin thumbnail
Robin This is some sick and nasty death metal right here. Reminds me of Cryptopsy's None So Vile somehow.

Technical and fast as hell, the riffs strike you with sheer brutality. What I really like is the unpredictable songwriting. There are constant changes everywhere and they come out of fucking nowhere.
Nice upside: Anathema is well produced and has a lot of dynamic range.
So far, one of my favourites of 2019. Favorite track: Deprivation of Liberty.
This album punches you in the gut from start to finish! Fast, technical like it should be, just absolutely raw. This is the tech death album to own! Favorite track: Beheaded White Queen.
Mohemian thumbnail
Mohemian This is, hands down, the best Technical Death Metal you will hear in years. Just when you think that it cannot get any more insane, more melodic or more crushing, Desecravity simply put it up a nudge with ease. Engineered by the mighty Dan “The Man” Swanö, the technical capabilities of this four piece from Tokyo are only to be described as jaw dropping. Respect! Favorite track: Ominous Harbinger.
InvalidDreamException thumbnail
InvalidDreamException They remind me of 90's tech death bands, especially of Cryptopsy. Unpredictable and effectively broken composing. All the thrill seekers may enjoy with this!
Favorite track: Deprivation of Liberty.
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    Desecravity "Anathema" CD. Jewel case with booklet

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    Desecravity t-shirt with the "Anathema" cover.
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    Desecravity "Anathema" hoodie with band logo on the front and the album cover on the back.

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    Desecravity "Anathema" longsleeve with album cover on the front and print on the sleeves.

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From the "Land of the Rising Sun" Japanese technical brutal death metal DESECRAVITY have returned with their newest and arguably most devastating album ANATHEMA.

The record was mixed and mastered at Unisound Studio by the mighty Dan Swanö and shows the band returning to their filthy, pulverizing, classic and ultra technical sound; a pure whirlwind of musical ferocity and auditory savagery that cannot be missed!


released January 25, 2019


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Desecravity Tokyo, Japan

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